氏名 Name |
TEE,Ve-Yin ( ティー ビーイン , TEE,Ve-Yin ) |
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所属 Organization |
外国語学部英米学科 |
職名 Academic Title |
准教授 |
専攻分野 Area of specialization |
English Literature |
学会活動 Academic societies |
日本英文学会 |
社会活動 Community services |
ゼネラルユニオン |
著書・学術論文数 No. of books/academic articles |
総数 total number (5)
著書数 books (2) 学術論文数 articles (3) |
大学院名 Grad. School |
修了課程 Courses Completed |
修了年月(日) Date of Completion |
修了区分 Completion Classification |
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University of York | 未設定 | 2005年07月 | 修了 |
学位区分 Degree Classification |
取得学位名 Degree name |
学位論文名 Title of Thesis |
学位授与機関 Organization Conferring the Degree |
取得年月(日) Date of Acquisition |
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博士 | PhD in English | After the Revolution: Coleridge, Revision and Representation 1793-1818 | University of York English Doctorate | 2005年07月 |
学士 | BA (first class) honours | Kings College London School of Arts and Humanities English and American Studies | 1996年07月 |
長期研究/短期研究 Long or Short Term research |
研究課題名 Research Topic |
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長期研究 | Romantic Ecocriticism |
概要(Abstract) I am studying the representation of landscape along social and political fault lines during the late eighteenth century. |
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短期研究 | Uranian aesthetics and politics |
概要(Abstract) I am trying to understand Uranianism as an ideological movement through the works of John Gambril Nicholson, J. A. Symonds, Henry Scott Tuke and other English writers and artists of the late nineteenth century. |
年度 Year |
著書名 Title of the books |
著書形態 Form of Book |
NeoCILIUS 請求番号/資料ID Request No |
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出版機関名 Publishing organization,判型 Book Size,頁数 No. of pp.,発行年月(日) Date | |||
2022 | Romantic Environmental Sensibility: Nature, Class and Empire | 未設定 | |
Edinburgh University Press , 未設定 , 304 , 2022/03 | |||
概要(Abstract) The essays in this collection employ a class-based analysis in global studies. They reveal the extent to which our representations of the land, as well as of the plants, animals and people who live on the land, are imposed upon by habits of thought that are profoundly class-based. They show how Green Romanticism has simplified Romantic period discourse by bringing to light the multiplicity of perspectives and long-standing inequalities that have been occluded and how current approaches to conservation and animal rights continue to be influenced by a class-bound Romantic environmental sensibility. |
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備考(Remarks) 私は編集者です。 |
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2021 | Transcultural Ecocriticism | 未設定 | |
Bloomsbury , 未設定 , 2021/01 | |||
概要(Abstract) Why do British people love trees? Though there are many reasons why all of us might love trees, one reason more applicable to British people than to the rest of us is because they have so few. Even at 15% forest cover, the country would still be far below the European average of 40%. Referring to the dendrophilic representations of two familiar and two not-so-familiar writers of the eighteenth and early nineteenth century (William Blake and Gilbert White, Francis Mundy and Sarah Williams, respectively), my chapter highlights the extent to which this contemporary love of trees is the legacy of a Romantic dendrophilia that reinforces rather than resists ecological degradation. |
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備考(Remarks) 私の章は「The Dark Side of Romantic Dendrophilia」、148ページから168ページまで |
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2015 | 記憶の共有をめざして | 共著 | |
行路社 , A5 , 533 , 2015/05 | |||
概要(Abstract) |
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備考(Remarks) 私の章は「日本によるシンガポール占領の未公認の歴史」 |
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2009 | Coleridge, Revision and Romanticism: After the Revolution, 1793-1818 | 単著 | 1076486 |
Continuum , その他 , 178 , 2009/11 | |||
概要(Abstract) The Romantic phenomenon of multiple texts has been shaped by the link between revision and authorial intent. However, what has been overlooked are the profound implications of multiple and contradictory versions of the same text for a materialist approach; using the works of Coleridge as a case study and the afterlife of the French Revolution as the main theme, this monograph lays out the methodology for a more detailed multi-layered analysis. Scrutinising four works of Coleridge (two poems, a newspaper article and a play), where every major variant is read as a separate work with its own distinct socio-historical context, Ve-Yin Tee challenges the notion that any one text is representative of its totality. By re-reading Coleridge in the light of alternative textual materials within that time, he opens a wider scope for meaning and the understanding of Coleridge's oeuvre. |
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備考(Remarks) |
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2008 | Romantic Echoes in the Victorian Era | 共著 | |
Ashgate , その他 , 250 p. , 2008/06 | |||
概要(Abstract) Shifting emphasis away from Victorian writers' negotiations with individual Romantic poets and their work, chapter twelve considers the key role, already noted by Sarah Wootton in her essay, played by Victorian visual art in these cultural transactions of desire between Victorianism and Romanticism. Taking The Bathers (a painting by lesser known Victorian artist, Henry Scott Tuke) as his starting point, Ve-Yin Tee reconsiders, in 'Liberating Boyhood', the value and meaning of boyhood in the eighteenth and nineteenth centuries. First exhibited in 1889, Tuke's depiction of young male nudes signpost the historically and culturally contingent conceptions of boyhood with its (socially and sexually) ambiguous status which, Ve-Yin Tee claims, was further exacerbated by reliance on child labour in the early half of the nineteenth century. Even Wordsworth the great poetic advocate of the importance of boyhood, in his 'Ode: Intimations of Immortality' and The Prelude, was divided on the issue of the increasing number of children that comprised the labour force. Wordsworth, Ve-Yin Tee demonstrates, objected to children being set to toil in the factories and mills, but saw nothing wrong with child labour in the agricultural industries and open fields of rural communities. These ambivalences surrounding Wordsworth's and Coleridge's valorisation of the Romantic child were subsequently re-invented as the figure of the Victorian boy in Tuke's painting which can be, simultaneously, scrutinised as a condemnation of nineteenth-century child labour and an exemplar of a healthy and well-exercised boy--from his exertions in the mill or factory--for his social peers to emulate. The Romantic child's sexual androgyny was equally open to exploitation by some Victorian artists and writers that found in the reinvented figure of the Victorian boy a laudable means to bespeak their own unspoken homoerotic desires. |
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備考(Remarks) I wrote chapter 12, 'Liberating Boyhood', pp. 191-208 (18 pages) |
年度 Year |
論文題目名 Title of the articles |
共著区分 Collaboration Classification |
NeoCILIUS 請求番号/資料ID Request No |
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掲載誌名 Journal name,出版機関名 Publishing organization,巻/号 Vol./no.,頁数 Page nos.,発行年月(日) Date | |||
2021 | In the Shadow of the Rosetta Stone: The Singapore Stone, Repatriation and Decolonisation | 単著 | |
AGON: Rivista Internazionale di Studi Culturali, Linguistici e Letterari , University of Messina , 29 , 22 , 2021/08 | |||
概要(Abstract) |
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備考(Remarks) |
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2015 | The Moral Language of Nature | 単著 | |
Romanticism , Edinburgh University , 21/2 , 11 , 2015/07 | |||
概要(Abstract) |
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備考(Remarks) |
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2014 | The Unauthorized History of Singapore Shrine | 単著 | |
AGON , Messina University , 3 , pp. 177-199 , 2014/12 | |||
概要(Abstract)
When the Japanese took Singapore from the British in 1942, they built a shrine in the middle of the island. It was called Syonan Jinja, which now lies in ruins. The cause of its destruction at the end of the Second World War remains in dispute. Some say that the Japanese burnt it down because they feared it would desecrated by the British; others say the British destroyed it as a mark of humiliation. While the site is officially recognized as being of historical |
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2011 | A Less than Green and Pleasant Land; or, the Young Wordsworth's Environmentalism | 単著 | |
Illuminazioni: Rivista di Lingua, Letteratura e Communicazione , University of Messina , 18 , pp. 3-27 , 2011/12 | |||
概要(Abstract) The advocation of wild nature or pastoral living is a familiar stance in English Romantic writing. According to Samuel Taylor Coleridge, "we ... become the best possible [in] the country [when] all around us smile Good and Beauty". Yet, under the pressure to feed a growing urban population and to provide raw materials for a growing naval and mercantile armada, how good or beautiful was the "country" really? As Kenneth Johnston argues in his biography on Wordsworth, "Tintern Abbey" was triggered by the poet's shock at the adverse changes to the landscape the poet had been familiar with as a child. This article pursues a two-stage objective. First, through "Goody Blake and Harry Gill", which was published with "Tintern Abbey" in 1798, to highlight the environmental degradation and desperate class struggle that were preceding apace in the English countryside during the 1790s. Second, through a juxtaposition with "Lines Written in Early Spring", also published with "Tintern Abbey", to assess the politics of the disquietened young Wordsworth. |
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2006 | Invasion and Subterfuge in 'Frost at Midnight' | 単著 | |
NUCB Journal of Language, Culture and Communication , Nagoya University of Commerce and Business , 8/1 , pp. 103-118 , 2006/07 | |||
概要(Abstract) Coleridge repeatedly revised 'Frost at Midnight' publishing different versions of the poem. The poem that is widely read today is actually the final version of 1829. This essay focuses instead on the neglected and very different first version of 1798. Where the 1829 version is meditative, the version of 1798 is political. Where the version of 1829 returns to the icicles forming in the darkness of a winter's night, in the version of 1798 the persona and his family leave their home to enjoy the breaking of a bright new day. Poems as published works are as much the expression of the individual as of the society for which they are produced, so, theoretically, Coleridge's revisions could be indicative as much of the changes to his ideological makeup as of his social context. My study intends to demonstrate how the 1790s engendered the very different poem of 1798, which begs the question: why do we persist in thinking of 'Frost at Midnight' when we should be thinking of 'Frost at Midnights'? |
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備考(Remarks) |
年度 Year |
題目又はセッション名 Title or Name of Session |
細目 Authorship |
発表年月(日) Date |
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発表学会等名称 Name, etc. of the conference at which the presentation is to be given, 主催者名称 Organizer, 掲載雑誌名等 Publishing Magazine,発行所 Publisher,巻/号 Vol./no.,頁数 Page nos. | |||
2018 | Regenerating Ruins: The Story of Singapore Stone | 単独 | 2018/07/07 |
Romantic Regenerations: An International Conference , Tokyo University | |||
概要(Abstract)
Four centuries before the arrival in 1819 of Sir Stamford Raffles, Singapore was a vibrant multicultural city that compared favourably with counterparts in the Mediterranean Sea (Miksic 2013). At the mouth of the Singapore River, where the Merlion statue would one day be built, was the most spectacular evidence for this: a three-metre boulder that had been split in half to carry fifty lines of an unknown script a thousand years old. Raffles himself characterized the development he brought to the small Malay settlement that remained there as an attempt to revive an ancient trading port. The story of the discovery of the Rosetta Stone, the machinations that engineered its delivery to the British Museum in 1802, its role in the decipherment of Egyptian hieroglyphics, its continued hold on the public imagination is common knowledge. The story of the boulder at the mouth of Singapore River, evidence of a lost language never to be deciphered is less well-known. Despite the interest it evoked among the linguists of the East India Company, the boulder was blown up by British engineers in 1843. |
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2017 | The Dark Side of Romantic Dendrophilia | 単独 | 2017/12/15 |
Natures and Spaces of Enlightenment , Griffith University | |||
概要(Abstract)
I wonder at the extent to which the first industrial revolution can be understood as a history of resource capture by people drawing natural resources from a wide area at the expense of other people more dependent on their locality. I am borrowing from Ramachandra Guha’s formulation of industrialization in modern India, in which he calls the first group ‘omnivores’ and the second ‘ecosystem people.’ According to Guha, this process creates ‘ecological refugees,’ dispossessed ecosystem people who ‘eke out a living in the cities on the leavings of omnivore prosperity’ (1997). |
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2016 | Loving Trees | 単独 | 2016/11/18 |
Romantic Legacies , National Chengchi University | |||
概要(Abstract)
British people love trees. While generally seen as irreligious, historically, more interested in establishing trade than in building churches, many seem willing enough to shed their religious inhibitions for an old tree. The environmentalist, C. W. Nicol, relates his encounter as a young man with the Jomon Sugi of Yakushima forest in these terms: ‘I imagined that I could see an ancient face in the trunk, and my reaction … was to feel that this was no mere tree, but a deity’ (The Japan Times). ‘From mighty oaks to humble hazels, our sylvan treasures have never been more highly valued’ runs the byline of The Independent newspaper’s ‘Green Giants: Our Love Affair with Trees’, an article about the adoption in 2007 of a system for assigning actual monetary value to a tree, which has effectively ended the ‘chainsaw massacre’ of urban trees. Indeed, with record numbers of Britons planting saplings, the total area of land under forest is now approaching the 15% level that was reached back in 1086 (The Guardian). |
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2015 | Contested Landscapes | 単独 | 2015/04/23 |
English and Modern Languages Research Seminar Series , Oxford Brookes University | |||
概要(Abstract) This paper is part of a larger project to recover from the eighteenth century alternative ways of thinking about the environment. Consider: why is it when we conserve land today, we necessarily have to put a border around it and prohibit its use? It's even worse with historical buildings, when we would hesitate to leave our own homes unoccupied and unused for more than a few months. The land was never made quite as useless as it is now in the name of conservation, and why this might be the case will be explained with reference to the Leasowes, a landscape garden created by William Shenstone in the middle decades of the eighteenth century. Furthermore, through the very different experience conveyed by James Woodhouse--a labouring poet with a family background in England's ancient common field system--of the same land, and the plants, animals and people who lived on it, this paper ultimately seeks to highlight the problematic legacy of an environmentalism that is unable to reconcile conservation with use. |
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2015 | Thinking Landscapes | 単独 | 2015/03/29 |
Kyoto Conference on Coleridge and Contemplation , Kyoto Notre Dame University | |||
概要(Abstract) We, in the developed world, seem to have lost the ability to produce beautiful landscapes almost from the moment we learnt to appreciate it. Augustin Berque’s Thinking Through Landscape (2013) lays on the blame squarely at the door of the urban elites, the class to which Coleridge belonged, who, increasingly distanced from a practical engagement with the land, developed a literary and philosophical aesthetics that has led to the current environmental crisis. James Woodhouse, the shoemaker poet who observed the changes that were taking place across the West Midlands in the eighteenth century, offers the interesting alternative perspective of a working-class aesthetics of the land. The evidence furthermore suggests that he served as an ornamental hermit at the Leasowes, one of the celebrated prototypes of the English garden. Through the figure of Woodhouse as a spectacle of contemplation, and the design of the Leasowes Park as a site explicitly designed to encourage meditative reflection, I will attempt to tease out the social structures underpinning the act of contemplation and consider the circumstances under which it becomes damaging to human, animal and plant communities. |
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2014 | The Unauthorized History of the Japanese Occupation | 単独 | 2014/10/11 |
「『記憶』の共有を目指して」第6回シンポジウム , 南山大学 | |||
概要(Abstract) When the Japanese took Singapore from the British, they built a shrine in the middle of the island. It was called Syonan Jinja, which now lies in ruins. Its purpose is in dispute, so is the cause of its destruction at the end of the war. It is now visited by almost no one, owing to the dense, tropical rainforest around it and the reputation of the area as the haunt of ghosts and vampires. This paper is an examination of the afterlife of Singapore shrine, which Singaporeans read about but never actually see, and the place it occupies in the periphery both of the authorized historical record and a highly developed city. |
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2012 | Reading the Environment in Children's Literature | 単独 | 2012/10/28 |
日本英文学会中部支部第64回大会 , 南山大学 | |||
概要(Abstract) Children's books offer me an accessible medium through which to teach students about the most serious social issues and the most difficult literary ideas. I will demonstrate this in two stages. First, to indicate how the politics of something as esoteric as biocentrism may be found across The Two Towers of J. R. R. Tolkien, The Iron Man by Ted Hughes, and Alan Moore's graphic novel The Watchman. Next, I will show how I have only required a single, 90-minute lecture to teach 1st and 2nd year students at Nanzan university about environmentalism in general and its connection to Dahl's James and the Giant Peach. |
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2011 | Wordsworth and Natural Theology | 単独 | 2011/10/29 |
日本英文学会中部支部第63回大会 , 名古屋大学 | |||
概要(Abstract) There is general agreement that The Excursion found "its most appreciative audience" in the middle decades of the nineteenth century. In 1837, the poem provided the occasion for one reviewer to notice "[the] long and scornful probation which Wordsworth has endured … till the heart of England has been in some measure converted to his poetical religion". By 1845, the sea change was accepted even by the cynical Thomas De Quincey, and he came to be referred to simply as "the great poet of the Excursion". Kenneth Johnston’s memorable description of the poem as that "Victorian epic" which Wordsworth "gave … to the Romantics", hints at the ideological dimension of the phenomenon. This paper examines more closely this correlation between poem and public that took place during the Victorian period. I will juxtapose Whewell’s Astronomy and General Physics Considered with Reference to Natural Theology (1833) with The Excursion and argue that natural theology was what brought the poem firmly into the ambit of the Victorians. I have been struck throughout by the coincidences between natural theology and environmentalism, on the one hand, and the coincidences between the Victorian mindset and ours on the other. My ultimate objective is to contribute to environmental thinking by revealing how our ecological consciousness has been both enabled and disabled by this formidable inheritance. |
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2011 | The Moral Language of Nature | 単独 | 2011/04/01 |
Speaking Nature , Pitzer College | |||
概要(Abstract)
In the dedicatory preface to Astronomy and General Physics Considered with Reference to Natural Theology (1833), William Whewell, scientist, Anglican priest, philosopher and historian of science regretted his explication of the design of the universe in these terms: |
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2009 | A Less than Green and Pleasant Land | 単独 | 2009/10/04 |
イギリス・ロマン派学会第35回全国大会 , 明星大学 | |||
概要(Abstract) The insistence upon the benefit of pastoral living is a familiar trope in English Romantic expression. As Coleridge wrote in 1795, ‘we … become the best possible [in] the country [when] all around us smile Good and Beauty’. Yet, under the pressure to feed a growing urban population and to provide the raw materials for a growing naval and mercantile armada, how good or beautiful was the ‘country’ really? As Kenneth Johnston argues in his controversial biography on Wordsworth, ‘Tintern Abbey’ was triggered by the poet’s shock at the adverse changes to the landscape he had been familiar with as a child. Through ‘Goody Blake and Harry Gill’ and ‘Lines Written in Early Spring’, both published with ‘Tintern Abbey’ in 1798, I will highlight the environmental degradation that was proceeding apace in the English countryside. |
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備考(Remarks) |
年度 Year |
助成名称または科学研究費補助金研究種目名 Name of grant or research classification for scientific research funding |
研究題目 Research Title |
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役割(代表/非代表) Role |
助成団体 Granting body |
助成金額 Grant amount |
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2015 | 科学研究費補助金 | 環境美学のイデオロギー編成―ロマン主義時代の環境主義と庭園と職人・農民詩人たち | |
代表 | 日本学術振興会 | 120万 | |
研究内容(Research Content) 文学領域でも環境批評が盛んな現在であるが、本研究はイギリスのロマン主義時代における環境への意識の中流階級性を明らかにすると同時に、労働者や農民といったこれまであまり着目されてこなかった人々にも焦点を当て、美学的な見地から検証する事を目的とする。ワーズワスを筆頭とするロマン主義文学に環境主義の源泉を求めることは現在定説となっているが、その中流階級性について環境批評は無自覚なままである。本研究では、「環境美学」(environmental aesthetics)という概念を提示し、マルクス主義的なアプローチに陥ることなくこの時代の社会変容や環境問題を歴史的に考察することで、その中流階級的なイデオロギー構成を明らかにし、その上で同時代の労働者や農民たちの環境に対する美意識を言説上から比較・考察する。 |
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2014 | 科学研究費補助金 | 環境美学のイデオロギー編成―ロマン主義時代の環境主義と庭園と職人・農民詩人たち | |
代表 | 日本学術振興会 | 1,300,000 | |
研究内容(Research Content) 文学領域でも環境批評が盛んな現在であるが、本研究はイギリスのロマン主義時代における環境への意識の中流階級性を明らかにすると同時に、労働者や農民といったこれまであまり着目されてこなかった人々にも焦点を当て、美学的な見地から検証する事を目的とする。ワーズワスを筆頭とするロマン主義文学に環境主義の源泉を求めることは現在定説となっているが、その中流階級性について環境批評は無自覚なままである。本研究では、「環境美学」(environmental aesthetics)という概念を提示し、マルクス主義的なアプローチに陥ることなくこの時代の社会変容や環境問題を歴史的に考察することで、その中流階級的なイデオロギー構成を明らかにし、その上で同時代の労働者や農民たちの環境に対する美意識を言説上から比較・考察する。 |
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2013 | 科学研究費補助金 | 環境美学のイデオロギー編成ーロマン主義時代と庭園と職人・農民詩人たち | |
代表 | 独立行政法人日本学術振興会 | 120万 | |
研究内容(Research Content) The aim of this proposed collaboration between Kuri Katsuyama (Kyoto University of Art and Design), Kazuyoshi Oishi (Tokyo University) and I is to work out a framework for understanding British eighteenth century environmental consciousness, not so much on its own terms (which is objectively impossible), but in dialogue with environmentalism in such a way that does not ignore their different historical contexts. Practically, the work done on this project would complete the necessary groundwork for a future book project on environmental aesthetics. Separately, and more immediately, the work done by us should not only contribute toward the study of the eighteenth century, but also enrich environmental thinking, by investigating its sometimes forgotten eighteenth-century genealogy. |
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備考(Remarks) 共同 |
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2009 | 南山大学パッヘ研究奨励金I-A-2 | The Young Wordsworth's Environmentalism | |
代表者(個人研究) | 299,000円 | ||
研究内容(Research Content) 研究助成 |
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備考(Remarks) |
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2008 | 南山大学パッヘ研究奨励金I-A-2 | Coleridge, Revision and Romanticism | |
代表者(個人研究) | 233,000円 | ||
研究内容(Research Content) 研究助成 |
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備考(Remarks) |
年度 Year |
タイトル Title |
内容等 Content |
活動期間 Period of Activities |
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2016 | アメリカ事情実習 |
This is a course in which I assisted students on an overseas field trip to Dickinson College, Pennsylvania, where they attended academic lectures as well as interacted with other students and faculty members. |
2016/08/01 ~ 2016/08/18 |
年度 Year |
活動名称 Name of activities |
活動期間 Period of Activities |
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2012 | Reading the Environment in British Children's Literature | 2012/10/28 |
活動内容等(Content of Activities) Children's books offer me an accessible medium through which to teach students about the most serious social issues and the most difficult literary ideas. I will demonstrate this in two stages. First, to indicate how the politics of something as esoteric as biocentrism may be found across "The Two Towers" of J. R. R. Tolkien, "The Iron Man" by Ted Hughes, and Alan Moore's graphic novel "The Watchman". Next, I will show how I have only required a single, 90-minute lecture to teach 1st and 2nd year students at Nanzan university about environmentalism in general and its connection to Dahl's "James and the Giant Peach". |
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2011 | The Moral Language of Nature | 2011/04/01 |
活動内容等(Content of Activities) This is a paper I presented at the Interdisciplinary Nineteenth-Century Studies "Speaking Nature" Conference at Pitzer College, Claremont, California, USA. |
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2009 | A Less Than Green and Pleasant Land | 2009/10/04 |
活動内容等(Content of Activities) This is a paper I presented at the イギリス・ロマン派学会第35回全国大会 at Meisei University, Tokyo. |
年度 Academic Year |
学術研究著書の件数 No. of Academic Books |
学会誌・国際会議議事録等に掲載された学術論文の件数 No. of Academic Articles in Journals/Int'l Conference Papers |
学内的な紀要等に掲載された学術論文の件数 No. of Academic Articles Pub'd in University Bulletins |
学会受賞等の受賞件数 No. of Academic Awards Received |
国際学会でのゲストスピーカーの件数 No. of Times as Guest Speaker at Int'l Academic Conferences |
国際学会での研究発表の件数 No. of Presentations of Papers at Int'l Academic Conferences |
国内学会でのゲストスピーカーの件数 No. of Times as Guest Speaker at National Academic Conf. |
国内学会での研究発表の件数 No. of Papers Presented at National Academic Conf. |
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2023 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
2022 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
2021 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 |
2020 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
2019 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
2018 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
2017 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
2016 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
2015 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 |
2014 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 |
2024/07/01 更新
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